Last night I went with the Sage of Kettering to see Darkest Hour, based on the events around Churchill becoming Prime Minister as Germany destroys Western Europe. Overall, I would say that it is an excellent film, but with a certain flaw, perhaps a sacrifice to dramatic licence. The actor playing Churchill has done a good job of conveying the man and his quirks.
The film starts with an obviously ill Chamberlain yielding power, in the face of challenges from Attlee, the Labour Leader of the Opposition. The film seems to try to cast Lord Halifax, till then Chamberlain’s ‘sidekick’ as a villain scheming for power. Whilst any politician may well in his heart lust for power, and obviously deny any overt ambitions, Halifax does come across as a bit of a ‘villain’, who is manoeuvring for Churchill’s fall. It may be that he was simply terrified of another war (having been through the Great War and seen action) and lacked the stomach for another, i.e. he had the UK’s best interests at heart in his wrongful head. However, Churchill kisses hands with George VI, a frosty relationship going back to issues over Gallipoli and the Abdication crisis, with Halifax a personal friend of the King. The Conservative Party loath Churchill, Labour and the Liberals support him (perhaps looking forward to taking over the government in a National Coalition, and getting if not always their people, their policies in place for what turns out to be at least the next 80 years).
The situation in Europe deteriorates, and Churchill tries to make rally the French, as he grapples with the demands of office and others try to get used to his chaotic working style. Churchill is alarmed to find that the French have no ‘plan B’ should they fail to contain the Wehrmacht to their North West regions, and the situation worsens. Along with the disasters in France, Churchill’s situation weakens as those seeking a negotiated peace urge their case, with Halifax and Chamberlain (now revealed to have terminal cancer) planning to resign. Overtures are made by Halifax to Italy for Mussolini to help with some form of negotiated peace, but this comes to naught. The King goes to see Churchill, after considering leaving for Canada, and the two become mutually-supportive.
The film gives Churchill a chance to point out that Gallipoli might have worked but for delay in its implementation (he blames the Admirals only, not the Generals as well), and Roosevelt and Churchill have a chat, Churchill in an artfully concealed phone box. The gist of it is that the UK is on its own (at this point) the Neutrality Act ties Roosevelt’s hands, but by a ruse some fighters that Britain has paid for can be got to Canada.
The film takes a bit of a liberty with Churchill suddenly taking the Underground train in a surprisingly long one-stop journey and meeting ordinary people (with a bit of inclusive casting, which shows the common heritage amongst the English-speaking peoples). He finds the ordinary people are willing to fight, and this fortifies him to carry on and abandon defeatist thoughts. This almost breaks the Fourth Wall and I found it spoils the film a bit, it could have been done better. Also, there is no indication of the Communist sabotage of the Allied war effort either in France or in the UK.
Churchill goes to the full Cabinet and rallies support for resistance, the gist of his speech being that a noble end is better than surrender, and the consensus is that any peace would be under Mosleyites.
Matters come to a head with the encirclement of British and French forces around Dunkirk, with a smaller force in Calais sacrificed to buy time for Operation Dynamo, the evacuation. Brigadier Nicholson and his unit in Calais are shown, been told by telegram that they are to stand to the last, a heroic footnote that the film rightly notes. With Dynamo underway, Churchill rallies the House of Commons with another speech, and Chamberlain signals his support (as Leader of the Conservative Party), cementing Churchill’s position, Halifax looks on from the gallery in despair.
The film is not without humour. It rehashes a few of Churchill’s old jokes, and his constant drinking is a running theme, with booze at breakfast. Asked by the King how he manages to drink throughout the day, Churchill replies ‘Practice!‘. The end notes also apologise for depicting smoking, necessary for accuracy, but it grossly under-depicits the extent of smoking.
Having seen the film Dunkirk last year, I would say that this is a far better film, it tells the story of the wider context, it does not have a jarring switch in narrative and has hardly any CGI, which is only used to show the streams of refugees and the odd aerial attack.
It was noteworthy that a couple of Lefties were in our viewing, and at the end they moaned loudly about the film being patriotic (can there be higher praise with faint damnation?), and made parallels about Brexit. It is hard not to see the parallels with the Mrs May’s lamentable efforts at ‘negotiation’, but remember that Halifax today would not be a Remoaner, but a cautious Leaver. The Remoaners would be the Mosleyites, whose only changes have been in label and a different emphasis on race in politics eager for the UK to be subordinate to a foreign power hostile to our laws and customs, with some form of economic dirigisme in place.
And it still strikes me as remarkable that the Queen’s first Britannic Prime Minister was Churchill, and look at her last 5.
UPDATE:
I have found the Sage’s commentary on Lord Halifax in this very parish, from 2003. Halifax, the Holy Fool.